Was Karl Marx a Satanist? | Paul Kengor (Jordan Peterson)

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This is a clip from tomorrow's podcast episode with Paul Kengor. In it, he and Dr. Peterson discuss the poetry of Karl Marx that is seldom seen in academia and explore the implications it likely had on his more

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“The Devil and Karl Marx”: a Review

Robert Orlando

August 29, 2020

Paul Kengor is a teacher and writer who has always had an eye for the spiritual dimension in history, politics, and economics. (He was the perfect partner for me in our book and documentary film, The Divine Plan: John Paul II, Ronald Reagan, and the Dramatic End of the Cold War.)

Prof. Kengor’s new book, The Devil and Karl Marx: Communism’s Long March of Death, Deception, and Infiltration, is a hammer and sickle dismantling of the diabolical character of Karl Marx (1818-1883). As Michael Knowles writes in the book’s foreword, “Kengor knows, like few others writing today, that terms such as collectivism and individualism only take the debate so far. . . .Ultimately the fight comes down to spiritual warfare: good versus evil.”

Indeed, Kengor’s book is all about the clash of the modern, devilish forces of socialism and communism – the key Marxist systems – against the eternally divine force of faith.

The book opens with a portrait of Marx’s formative early years, an approach similar to Paul Johnson’s in Intellectuals: From Marx and Tolstoy to Sartre and Chomsky (1988). Johnson was accused of being moralistic for judging Marx’s ideas through the lens of his character. Of Marx’s writings, Johnson says their “actual content can be related to four aspects of his character: his taste for violence, his appetite for power, his inability to handle money and, above all, his tendency to exploit those around him.”

Professor Kengor goes even further, depicting Marx as possibly under the Devil’s spell. The young Marx wrote some very dark poems filled with the sort of anti-religious sentiments that would inspire his Communist Manifesto. “It is in part, a tragic portrait of a man,” Kengor writes, “but still more broadly so, an ideology, a chilling retrospective on an unclean spirit that should have never been let out of its pit.”

Here’s an example from Marx’s poem, “The Pale Maiden” (1837):

(Snip)

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